All the world has. Build good will and good business by. American or foreign. The. great mechanical and electrical marvels. Every. man and woman whose thought advances by that. United States. Hays 5. Production Statistics 1. Film Daily Critics' Forum, Spring, 1. 10 great films set in the desert; On location with Werner Herzog; Act of Killing director Joshua Oppenheimer picks his favourite Werner Herzog films. The damsel in distress was an archetypal character of medieval romances. Get the latest international news and events from Asia, Europe, the Middle East, and more. See world news photos and videos at ABCNews. Kidnapping Gorillas (1934) Quotes on IMDb: Memorable quotes and exchanges from movies, TV series and more. An Era of Engineering Improvement, by Don Carle Gillette 1. The Threat of Television in the Industry, by Den Hancock 2. A Survey of Color and the Future, by Jack Harrower 7. A History of Production in the East, by Charles A Ahccate 2. A History of Production cn the Coast, by Ralph Wilk 3. Film Daily's Production Hall of Fame 3. Motion Pictures and the Cedes 3. Three Minutes with Production and its Own Code, by Ed Harrison 5. What the Motion Picture Code Means to Production, by Arthur Eddy 5. ABC News reports on United States politics, crime, education, legal stories, celebrities, weather, the economy and more. The NRA Motion Picture Code and Production 5. Production Programs by Companies for 1. Amkino Corporation, 1. Program 7. 7. B. P., Ltd., 1. Program 7. 9. B 'n' B Pictures, 1. Program 7. 9. Beacon Productions, 1. Program 8. 1. Celebrity Productions, 1. Program 8. 1. Chesterfield- Invincible, 1. Program 8. 3. Columbia Pictures, 1. Program 8. 3. Du World Pictures, 1. Program 8. 7. Educational Pictures, 1. Program, See: Fox 9. Exploitation Pictures, 1. Program 8. 9. First Division, 1. Program 9. 1. Fox Film Corp., 1. Program 9. 1. Gaumont- British, 1. Program 9. 7. Golden State Productions, 1. Program 9. 9. Ideal Pictures, 1. Program 1. 01. Imperial Distributing Corp, 1. Program 1. 03. Willis Kent, 1. Program 1. 05. Kinematrade, 1. Program 1. 05. Liberty Pictures, 1. Program 1. 07. Majestic Pictures, 1. Program 1. 09. Mascot Pictures, 1. Program Ill. Master Art, 1. Program 1. 13. Mayfair Pictures, 1. Program 1. 13. Metro- Goldwyn- Mayer, 1. Program 1. 15. Monogram Pictures, 1. Program 1. 19. Paramount Pictures, 1. Program 1. 23. Principal Pictures, 1. Program 1. 25. . ROBERTA, queen of. FRECKLES, Gene Stratton Porter's. THE AGE OF INNO- . CENCE, Edith Wharton's Pulitzer Prize Novel. Irene Dunne and John Boles . WHEELER. AND WOOLSEY in two shows .. THE FOUNTAIN starring. Ann Harding . Merian C Cooper's produc- . SHE . Rider. Haggard's world's thrilling book . FALSE. DREAMS FAREWELL .. HOI FOR SHANGHAI. Lou Brock . LADDIE, Gene. Stratton Porter's most beloved book . THREE. STAND ALONE starring Johnny V/eissmuller . ANNE OF GREEN GABLES. THE DARK, best mystery story since . EL DORADO starring Francis Lederer. TWO GREAT. STORIES starring William Powell . RICHEST. GIRL IN THE WORLD . ALIEN CORN. starring Ann Harding in the Pulitzer Prize Play. Sidney Howard .. THE WORLD BY THE. TAIL with Fred Astaire and Ginger Rogers . Cooper's gigantic Spectacle Drama. THE LAST DAYS OF POMPEII. Associations Personnel 3. Standard Release Print Specifications 3. Studio and Production Buying Guide 3. Feature Producers 3. Short Subject Producers 3. Cartoon Producers 3. Distributors 3. 56. Trick Photography and Special Effects 3. Color Processes 3. Managers and Agents - 3. Play and Story Brokers . Photographers, Still- Portrait 3. Laboratories 3. 64. Industrial Producers 3. Title Studies 3. 65. Publicists 3. 65. Supervisors and Associate Producers 3. Art Directors 3. 66. Heads of Publicity Departments 3. Exporters and Importers 3. Casting Directors 3. Storage Vaults 3. Film Libraries 3. Film Daily Personnel 3. Advertising Index. Alvord, Adeline, M 2. Ambassador Pictures, Inc. Ames, Rosemary 2. Amity Pictures Corp., Ltd 1 3. Amkino Corporation 8. Auer, John H 1. 92. Barbier- Levenhagen 2. Barnes Printing Co, Inc 1. Bartlett, Sy 2. 04. Baxter, Warner 5. Beahan, Charles 1. Berg, Stebbins, Allenberg b Blum, Inc. E 1. 2. Brunswick Productions Corporation 1. Buckingham, Tom 2. Butler, David 2. 42. Carewe, Edwin 6. 0. Cavanagh, Paul 2. Ceder, Ralph 1. 84. Chanslor, Roy 1. 90. Chesterfield Motion Pictures Corporation. Chodcrov, Edward 1. Christie, Al 5. 6. Cline, Edward F 1. Collings, Pierre 2. Columbia' Pictures 1. Connolly, Bobby 2. Conselman, Wm 2. 50. Cosmo- Si leo 1. 34. Del Ruth, Roy 5. 2. De Mille, Cecil B 6. De Mille, Katharine 6. Denis, Armand 1. 82. Disney, Walt 1. 4. Doyle, Laird 2. 52. Duff, Warren 2. 64. Du Pont, E. A 2. 40. Eastern Service Studios, Inc 1. Eastman Kodak Company Back Cover. Edison Hotel 1. 28. Educational Pictures Inside Front Covers. Elliott, Clyde E 2. Ettmger, Margaret 2. Exploitation Pictures, Inc 1. Filmlab, Inc 1. 36. First Division Exchanges, Inc 2. Fox Film Corporation 4. Freund, Karl 2. 44. Futter, Walter 7. Gardel, Carlos 2. Garnett, Tay 2. 42. Gasnier, Louis 6. Gatteri Film Exchange 1. General Register Corporation 1. Gilbert, Billy 2. Golden State Productions, Inc 1. Gorney, Jay 2. 38. Gould, Dave 2. 32. Gray, Danny 9. 6. Green, Howard J 1. Griffith, Edward H 2. Guiol, Fred 2. 56. H & H Productions 2. Hadden, George 2. Herrick, F. Herrick 5. Harris, Ray 2. 62. Hervey, Harry 2. 66. Herzig, Sig 2. 44. Hill, Ethel 2. 50. Hoerl, Arthur 1. 94. Hollywood Camera Exchange, Ltd 2. Holmes, Ben 2. 42. Horton, Edward Everett 2. Hoyt, Vance 2. 10. Herbert, F. Hugh 2. Du Pont Film Mfg. Corporation 3. 0. Du World Pictures, Inc 1. Ideal Pictures Corporation 1. Imperial Distributing Corporation 2. International Seat Corporation 1. Invincible Pictures 2. Jackson, Howard 2. Johnson, Henry 2. Jennings, Talbot 2. Johnson, Robert Lee 2. King, Bradley 2. 52. King, Henry 5. 0. King, Louis 1. 80. Knopf, Edwin H 2. Korda, Alexander . National Screen Service Facing Page 1. Nobel, Jack 2. 16. Nugent, Elliott 2. Paramount Pictures Inside Back Covers. Park Central Hotel 1. Paule & Wilma 2. Penzner Pictures 9. Pomercy, Roy J 2. Prizmatic Productions, Inc 1. Producers Laboratories, Inc 1. RKO Radio Pictures 8. Rainger, Ralph 2. Raphaelson, Samson 1. Reed Daniel 2. 06. Reeves Sound Studios 1. Reliable Film Export Company 1. Ries & Fitzpatrick 2. Ritchey Export Corporation 8. Rivkin, Allen 2. 38. Roberts, Marguerite 1. Robin, Leo 2. 16. Rcder, Milan 2. 38. Rogers, Howard Emmett 2. Rcsson, Richard 2. Roth, Murray 2. 50. Rowland, William A 9. St. Moritz Hotel 1. Sandrich, Mark 1. Santley, Joseph 1. Schary, Dore 2. 46. Screen Attractions Corporation 1. Seiter, William A 1. Select Productions, Inc 1. Shamrock Pictures Corporation 1. Sloane, Paul 2. 40. Smith, Paul Gerard 1. Snell, Earle 2. 56. Sclow, Eugene 2. 46. Sparkuhl, Theodor 2. Stage and Screen Productions, Inc 1. Steele, Bob 2. 32. Steiner, Wm 1. 12. Stern Photo Company, Inc 1. Stone Film Library 1. Superior Talking Pictures, Inc 1. Taurcg, Norman 1. Taylor, Earl W 7. Terriss, Tom 1. 86. Thew, Harvey 2. 28. Thompson, Harlan 2. Trans- Oceanic Film Export Company 1. United Artists Corporation 6. Valent ine, Joseph A 2. Vidor, Charles 2. Waggner, George 1. Walker, Joseph 2. Wallace, Richard 1. Watson, William 2. Wayburn, Ned 1. 30. West, Claudine 2. West Coast Service Studios 1. Wilbur, Crane 2. 02. Wilder, Billie 2. Wcon, Basil 6. 4. World Wide Pictures 8. Young, Howard Irving 2. Young, Waldemar 1. Will our faces. be RED. Of these 2. 3 are in. California and 1. New York City. Short subjects. More than 4. 25 of the nation's leading. The Film Daily. The summary follows. Which is most important ? How would you rate the morals of the screen today with those of the stage and current literature. What percentage of motion picture publicity do you use? What type do you find most useful? Rate, in order, the type of short subject preferred in your city. Next came musicals, sport. What effects do you foresee on motion pictures when television becomes practical entertainment? In your opinion, what brings patronage to the box- office ? How can theaters, in general improve their service to patrons? Changes have been effected in the input circuit to the light produced by the. The use of dynamic type microphones continues to be enlarged although. The optical system produces the symmetrical type of sound. This equipment is unusual in its simplicity, ruggedness and light weight. Inductor. type pressure- operated microphones are used and previsions are made so that the outputs cf two of. The microphones aie of the permanent magnet type. They are also little affected. The normal sound recording part of the equipment consists cf. Use cf. J high fidelity reproducing systems has substantially ; ncreased and up to March 3 of this year, a. Another innovation of importance. Neither can television be likened. Their answers were plain, frank and. The opinion among laymen is that climatic conditions have a telling effect on television trans- . It has been perfected so that the image will penetrate, within the 5. Since the number of transmitters that would have to be. Television will net flow through telephone. The cables must be especially constructed for the television impulse. Realizing that the present. National Broadcasting Co, is about $3,5. Columbia Broad- . Co , bill about half that amount, it is plain and easy to realize why wiring the country for tele- . What can we expect of television and its cost to the home even after. The answers to. j these questions put cur fears to rest immediately, with the possible exception of a feeling that. Zworykin, of the research. RCA- Victor, has invented the Iconoscope. It is a self- contained pick- up television unit and. It sets on a tripod and may be trans- . Its comeback is a slew. At the present moment it appears that theie is considerable evidence to justify. But the panic didn't last long. Public interest, as indicated by boxoffice grosses. Perhaps this was partly due to the injudicious use of color in some instances and to. Furthermore, its use mounted pro- . The combination of circumstances importantly influenced. All have made great efforts to produce color which is mere natural and. There are. however, a total of approximately 2. THE FILM DAILY YEAR BOOK. Spring. meeting at Atlantic City is the Dufay system, a three- color process, use of which does not require. Handling of the color in the laboratory only involves minor. The Dufay Color Company, which controls. East when demand for its color warrants the move. As in. the case of other color process companies, the concern intends to gradually introduce its product. As during the current season its use will principally be confined to this- length picture.
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